Luca Berta et Francesca Giubilei<\/strong><\/p>\n\n\n\n Alice in Doomedland<\/em><\/strong> exhibition curators<\/strong><\/p>\n\n\n\n![\"\"](\"https:\/\/dev.fondationvalmont.com\/wp-content\/uploads\/2025\/04\/AID_POSTER_EN-1569919-6035729..jpg\")
<\/a><\/figure>\n\n\n\nExhibition movies<\/h2>\n\n\n\n
\u201cSometimes, dreams (or nightmares) step forward and take over reality. That is exactly what happened to Alice. A white rabbit disrupted a prosaic afternoon, and she followed in its footsteps into a mystery land, where social rules do not apply, where physics and logics are subverted.<\/p>\n\n\n\n
The visitors of Alice in Doomedland<\/em> encounter a somewhat similar experience, in which the Palazzo Bonvicini in Venice unfolds as a site for playful metaphors and meditations on man\u2019s power fantasies, and on the dystopian reality these fantasies have created. Wonderland is a faded memory. The whole world, as we have come to terms with, has turned starkly to a threatening routine<\/em>; one that is hard to grasp; one that is probably doomed. Following artists off the beaten paths and outside our usual thinking categories, we might come upon unsuspected dimensions of ourselves. Art has the power to act as a driving force, leading us to reflect upon the part each and every one of us has to play in transforming the world\u2014not the dreamworld, but the actual world that we all share.\u201d<\/p>\n\n\n\n Luca Berta et Francesca Giubilei<\/strong><\/p>\n\n\n\n Alice in Doomedland<\/em><\/strong> exhibition curators<\/strong><\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nExhibition movies<\/h2>\n\n\n\n